Critical Recovering of Africa’s Cultural Heritage
“This compelling set of essays draws from multiple sources – oral traditions, cultural practices, literature and art – to explore how the past is carried into and shapes the African present. Spanning East and West Africa, it offers essential insights to scholars in several disciplines. It deserves to be widely read.” (Rhiannon Stephens, Associate Professor of History, Columbia University).
“This important collection demonstrates the possibilities of rethinking heritage and memory in Africa, not as fixed marketable products but as living parts of contested pasts, presents and futures. The chapters skillfully illuminate how novelists, artists, activists and ordinary people have continuously unsettled, and even subsumed, the categories that were imposed and naturalized in colonial archives. This wonderful multidisciplinary group of scholars show how engagement with the continuities of knowledge over time beyond the academy or the state, remains critical to the possibility of justice.” (Edgar C. Taylor, Lecturer in History, Archaeology and Heritage Studies, Makerere University).
“This is a timely response to the calls for both the decolonizing of the syllabus and of African renaissance. I cannot think of any book in the market which has this approach and depth of a variety of articles.” (John Blackings Mairi, Professor of Literary Linguistics, University of Juba).
‘This book essentially poses the question: Are there lessons to draw from Africa’s rich past to steer through the present into the future? It is a riveting effort at reincarnating the rich diversity, accumulated and tested cultural heritage, with in situ logics of existence. Identities, tested philosophies, practices and aesthetics of communities are embedded on every page the reader turns. A timely and relevant book at this juncture when Africa seems to have culturally thrown the baby out with the bathwater.” (Godfrey Asiimwe, Associate Professor of Development Studies, Makerere University).
Price range: £30.00 through £33.00
About the editors
Dominica Dipio is an associate professor of literature and film based in
Makerere University, Kampala, where she obtained her Bachelor’s and
Master’s degrees in Literature. Her Licentiate in Social Communications
and PhD in Film Studies, specialising in African Cinema are from the
Pontifical Gregorian University in Rome. Dipio has won a number of
research grants, including a Fulbright Research Fellowship (2012-2013);
the Africa Humanities Program Fellowship that recognises excellent
research in Humanities (2009); and the Makerere-Bergen Foklore Project
(2007-2012) where she has been a lead researcher and coordinator. Among
the recognitions she has received is a nomination among high achieving
women in Uganda whose stories are profiled in a book, Footmarks Scaling
Heights: Conversations with Women of Purpose in Uganda (2014). She is
also a recipient of the Authorship and Legal Deposit Award of Makerere
University (2009), and the Art Press Association (Award for her first
feature film, ‘A Meal to Forget’ (2009). Dipio has several publications
in her research fields of film, literature, folklore and cultural
studies, with gender as a cross-cutting interest in her writings.
