ISBN 9789987753567
Pages 206
Dimensions 234 x 156mm
Published 2016
Publisher Mkuki na Nyota Publishers, Tanzania
Format Paperback

The Art of the Zaramo

Identity, Tradition, and Social Change in Tanzania

by Fadhili Safieli Mshana

Against the background of the carving’s beginnings at Konde in Kisarawe District, Tanzania, which attest to the crucial ties between Zaramo social practices and the carved objects that form an integral part of Zaramo life, The Art of the Zaramo presents the transformations, and reinvention of Zaramo wood sculpture in line with forces of modernization and social change. The book confirms that art represents history, culture and society. To find answers to the author’s questions and to develop an understanding of how Zaramo figurative sculpture was transformed as it went through modernization, Fadhili Safieli Mshana compelled to consider the impact of the following: Zaramo multiple ethnic heritage, social norms and cultural patterns including Swahili interactions, the strategic proximity of the Zaramo to Dar es Salaam (Tanzania’s biggest city and former capital), influences of Islam and Christian missionaries, colonial history, and finally the socio-economic transformation of post-independence Tanzania. These involve examining the ways that art acts as a vehicle for the formation of individual/group identity; how the two entities negotiate each other in the process of social and cultural change.

This excellent book then, is about the Zaramo and their figurative wood carving tradition, and it is written as an attempt to not only understand the origins, development, and centrality of this figural carving tradition to the Zaramo, but also, the ways the Zaramo have used select sculptural objects to interpret change and continuity in the midst of modernization and social change.

Book Preview

About the Author

Fadhili Safieli Mshana

Fadhili Safieli Mshana is Professor of Art History at Georgia College and State University in Milledgeville, GA, USA. Previously he had taught at the University of Dar es Salaam, Tanzania. Dr. Mshana received his B.A. degree in Fine Arts and Education at the University of Dar es salaam, an M.A. in Art History from the University of East Anglia, UK, and a Ph.D. in Art History from Binghamton University, NY. Professor Mshana has also published journal articles and book chapters on the arts in Tanzania.

Related Books